JF and Son

This is the company that the Experimental Fashion class visited in New York.

JF & SON’s fanatical obsession with textiles informs the company’s approach to production and design. Working with hand-weavers throughout India, the company develops custom fabrics, which are sent to the vertically integrated JF & SON studio in New Delhi. In this creative environment, JF & SON authors a new design vernacular, combining elements of modernism with traditional methods of beading, embroidery, and printing. By partnering with artists and artisans from New York to India, JF & SON meets its ideals of fairness in labor, while reinforcing its commitment to community and collaboration everywhere.

Here is a link to their website and tumblr.

Visit to School 33/Temporary Nature of Ideas Exhibit

A few weeks ago, our class visited School 33 and Melissa Webb's interactive installation/exhibit, The Temporary Nature of Ideas.  Melissa met with us and told us a bit about her own background, education and art process, including her humble origins in our very own Fiber department at MICA! Following are a few pictures from our visit.

Encoded Cloth

PROJECT 2: THE ENCODED CLOTH

Create a cloth that communicates something essential about you and/or your culture and/or about this particular time in history. You may use any technique you deem suitable for ‘encoding’ your cloth, including, but not limited to: printing, dyeing, sewing, embroidery and/or appliqué techniques.

Consider how the design, construction and embellishment techniques and materials contribute to our ‘reading’ of your work. Consider how your installation or presentation contributes to our understanding as well; ie: how do we interact with it, see it or experience your work? Is it a flag? A coverlet? A mantle? A banner?

Following are examples of 'encoded cloths' drawn from various cultures and traditions, including the works of contemporary artists referencing these traditions.

Ceremonial cloth and sacred heirloom, 17th-18th c., handspun cotton and natural dyes, block printing, mordant painting and batik, Gujarat, India traded to Sulawesi, Indonesia

The Anglican Diocese of Ondo Commemorative Cloth, 2002

 Allison Moore, Obama Commemorative Cloth, 2007

Ghanaian Commemorative Cloth, circa 2008

Liz Ensz, War on Secularism (detail) screenprint, 2005

Susie Brandt, Frosty (above) and Honeypot (below) screenprint

Renee Greene, Commemorative Toile, 1992

Virgil Marti, Bullies (Wallpaper), screenprint, 1992-97

Wim Delvoye, Louis Vuitton Pigskin, 2005

FANTE,  ASAFO FLAG 12, 40 x 57", Ghana

Asofo = "war people". These appliqued patchwork banners combine the tradition of communication by proverb with military pomp and display. Flags would be created for the installation of a new captain of a local militia company and would be displayed at festivals and funerals. Each unique flag would either depict an historical event, identify the company with an animal or image of power, or depict a proverb to boast, taunt or threaten other companies. The British flag was used until 1957, since then the flag of Ghana is often substituted. The reverse side is appliqued with the same image, usually matching very closely, less so with lettering and parts of no. 14. Note the variety of interpretations of the British flag. ---Dan Mato, Professor Emeritus of Art History, The University of Calgary, Hamill Gallery Website. Photograph © Tim Hamill

Jacket embroidered by Agnes Richter,  locked away in a German mental asylum during the 1880s, due to schizophrenia

Darrell Morris, Bellbottoms, embroidery, 2007

Darrell Morris, Fast Food, embroidery, 2007

Louise Bourgeois, She Lost It (Performance Pieces), Embroidery on Clothing, 1992

Susie Brandt, Sew Your Own Stump Flag, 1995

Crochetdermy

Hey, guys it's Amelia. I found a really cool and interesting conceptual artist named Shauna Richardson who crochets animals to look like taxidermy.

On the subject of her work, Richardson states that "In an attempt to find new ways of exploring the 'Anything can be art' theory, I make work that combines uncomfortable themes such as accessible objects, nostalgia, traditional craft and realism."

If any of you guys are like me and are interested in the application of fiber as a sculptural/ narrative medium, she is a really great artist to check out.

You can find her website here.

Student Exhibit in the Middendorf

Styling Utility

A student exhibition curated by Jenae A. Smith

October 21 – 31, 2010

Middendorf Gallery, Station Building

Closing Reception: Thursday, October 28, 6 – 8pm

REMINDER: Field Trip

Hello People of the Fiber!

Here is your friendly reminder that we will be meeting in front of the Station Building on Wednesday, October 13 at 3:30pm to depart for our journey to School 33 and Melissa Webb's interactive installation "The Temporary Nature of Ideas." Also, please bring your 18x18"stretcher bars (four) for the building of your screen tomorrow night. You can leave this in the classroom (in a designated box) so that you do not need to schlepp it to School 33.

Hasta Manana!

Reflections

Hello everyone (again),

I just wanted to invite you guys to the closing reception of my show in the Wilgus Gallery on Friday, October 15 from 7-9 pm. The Wilgus Gallery is located in the photo department, in the basement of the main building. If you can't make it to the reception feel free to stop on by and check out my work anytime between October 3-16th.

See you all in class,

Kaley